Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 100

3 long accents in A

 in GE1 (→FE)

2 short accents in EE & GE2

It is difficult to explain the difference in approach to long accents between bars 99 and 100, since in A the signs in bar 100 are not longer than the previous ones at all. Perhaps they key to solving the puzzle is the overlooked third accent: if initially GE1 overlooked all accents in this bar, Chopin, while proofreading the edition, could have added the first two, which, this time, were incorrectly reproduced as 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Errors in GE, GE revisions, EE inaccuracies

notation: Articulation, Accents, Hairpins

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