b. 233
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composition: Op. 21, Concerto in F minor, Mvt I
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The logic of the figuration's structure and a comparison with analogous bar 235 point to a Terzverschreibung error of FE. The conclusion finds confirmation in a correction of this note performed in pencil – perhaps with Chopin's hand – in FES. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Terzverschreibung error , Annotations in FES |
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b. 233
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composition: Op. 21, Concerto in F minor, Mvt I
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The change of to is a relatively frequent mistake in the first editions; however, it is generally encountered when the base text to an edition was a manuscript. category imprint: Differences between sources issues: Errors in FE , fz – f |
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b. 233-235
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composition: Op. 21, Concerto in F minor, Mvt I
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The fingering of the first two semiquavers was added by Chopin, while proofreading FE (→EE). See also bar 237. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 234-237
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composition: Op. 21, Concerto in F minor, Mvt I
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The notation of A suggests that Chopin wanted to place the signs after the bar line, hence at the beginning of bars 235 and 237. In GE1 (→FE→EE) it was performed only for the second time, whereas in GE2, which was changed in GE2 to a standard notation with asterisks at the end of bar 234 and 236. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 234
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composition: Op. 21, Concerto in F minor, Mvt I
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category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |