



b. 229
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composition: Op. 21, Concerto in F minor, Mvt I
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The sources include a cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 229
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composition: Op. 21, Concerto in F minor, Mvt I
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The accent in A (short) is placed over the 2nd semiquaver of the last group (b category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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In this bar, it is unclear what kind of accents Chopin meant – in A the first two may be interpreted as long or short, the third one is long and the fourth one is short. A comparison with analogous bars – see bar 226, allows to resolve the doubt in favour of long accents. We discuss the fourth of them separately due to the sign's vague placement. In GE1 (→FE→EE), the first and third accents were overlooked, which was corrected in GE2. All accents in the editions are short, although the sign in FE could be considered to be long. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , GE revisions , Inaccuracies in A |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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The a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Terzverschreibung error , Errors of A , Authentic corrections of GE |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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One can see Chopin's proofreading in the version of FE, since a category imprint: Differences between sources issues: EE revisions , Terzverschreibung error , Authentic corrections of FE |