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Op. 21, Concerto in F minor, Mvt I

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b. 237-239

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
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The fingering in the R.H. in bars 237 and 239 coming from Chopin was written – probably with the pupil's hand – into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

No fingering in A (→GE)

Fingering in FE (→EE)
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The fingering of the first two semiquavers in the L.H. was added by Chopin, while he was proofreading FE (→EE). Cf. bars 233-235. The next four digits were written already in A and they are present in all sources.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

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In the main text we add cautionary flats before the D-d octave.

category imprint: Editorial revisions

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

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The cautionary natural before G, the 1st semiquaver in the L.H., was added in the proofreading of GE1 (→FE→EE, →GE2). According to us, this random addition could have been performed at Chopin's request.

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 237

composition: Op. 21, Concerto in F minor, Mvt I

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In A the last group of semiquavers is written in an abbreviated manner as a repetition of the previous one. The abbreviation was explained in GE (→FE→EE).

category imprint: Source & stylistic information

issues: GE revisions , Abbreviated notation of A