![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in FE
b. 131
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
GC and the previous impressions of FE (→EE) include the erroneous f as the top bottom note in the chord on the 2nd crotchet. The mistake was revised in GE, adding a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE , Errors of GC |
||||||||
b. 140
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The absence of the c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Uncertain notes on ledger lines , Errors of GC |
||||||||
b. 140-141
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The range of the slurs in GC is unclear due to the nonchalant way of their notation, as well as due to the transition into the new line of the text (from bar 141). We consider the division of the slurs at the bar line to be the literal interpretation, as at the beginning bar 141 does not include the ending of the previous slur. Such divided slur is also in EE, based on the base text, in which the slurs were most probably added by Chopin (in this fragment). Therefore, we give the version in the main text. According to us, however, the interpretation of the slurs of GC with division after the 1st crotchet in bar 141 is more justified. The slur of GE is rather an emergency option, not determining the phrasing, than an attempt to reproduce the notation of GC. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccuracies in GC , Authentic corrections of EE |
||||||||
b. 143
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
Leaving aside the unorthographical notation, the version with d1 (=e
In the discussed bar 143 a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of GC |
||||||||
b. 148-152
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
In the sources based directly on [A] – GC and FE1 (→FE2→FE3,EE1) – four naturals raising c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign , Errors of GC |