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b. 200

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE)

Tie to d1 in FE (→EE)

..

Same as in bar 12, in GC (→GE) there is no tie sustaining d1.

category imprint: Differences between sources

b. 208-209

composition: Op. 35, Sonata in B♭ minor, Mvt II

Slur up to bar 209 in GC & FE (→EE)

Slur in bars 205-208 in GE

..

The shorter slur of GE is, according to us, inaccurate, which can be partially attributed to the sweeping slur of GC.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in GC

b. 209

composition: Op. 35, Sonata in B♭ minor, Mvt II

Dots & accent in GC (→GE)

No marks in FE (→EE)

..

Due to the abbreviated notation of the recapitulation of Scherzo in the manuscripts, the state of the sources is same here as in bar 21.

category imprint: Differences between sources

b. 210-213

composition: Op. 35, Sonata in B♭ minor, Mvt II

No marks in the sources

Staccato & accents suggested by the editors

..

In the main text we suggest adding the staccato signs and accents on the basis of respective bars of the initial section of Scherzo (bars 22-25). The abbreviated notation of the recapitulation in [A] (→GC) proves that Chopin wanted that the notation of both extreme sections was identical.

category imprint: Editorial revisions

b. 216

composition: Op. 35, Sonata in B♭ minor, Mvt II

Different accents in GC (→GE)

No marks in FE

Long accent in EE

..

As in bar 28, in the main text we give the notation in GC (→GE) which raises no reservations. The lack of accents in FE is certainly a mistake, and the mark in EE – most probably a long accent – a complement likely by Chopin.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Errors in FE , Authentic corrections of EE