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b. 31
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The characteristic Chopin fingering comes from FES. category imprint: Differences between sources |
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b. 31-41
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In the manuscripts – GC (certainly in accordance with [A]) and Amar – wherever in the part of the L.H. the second half of the bar is the same as the first one, Chopin uses a repetition sign (•/• or / only). The sole exception is bar 31 in GC. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 31-38
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC bars 31-38 are provided with subsequent r-z letters, used then for an abbreviated notation of bars 47-54. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 31-38
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Amar includes only eight bars, corresponding to bars 31-38 of the entire Marche. Certain elements of the notation present in this autograph are of no application to the whole (the tempo indication and time signature, the final indications, etc.), whereas the other, appearing in the final version, do not concern the fragmentary version of Amar (the repetition signs at the beginning and end of these bars). category imprint: Differences between sources issues: Incomplete sources |
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b. 31
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The absence of category imprint: Differences between sources; Corrections & alterations |
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