Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 12, Etude in C minor
Sources
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Another copy of #GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
FE1 - First French edition
| Publisher: | Maurice Schlesinger |
| Date: | X 1837 |
| Title: | Etudes || 12me Étude |
| Dedication: | Madame la Comtesse d'Agoult |
The base text for FE1 was a manuscript (lost), close to FC, yet clearly independent from it in some details (e.g., range of dynamic hairpins in bars 7-8, accents in bars 76-80, pedalling in bars 77-80). According to us, it was probably an autograph, corrected and completed by Chopin.
FE1 was certainly corrected by Chopin, which is proved by visible traces of this kind of corrections, which could have been ordered only by the composer, e.g., in this Etude deletion of accents on the 11th and 15th semiquavers in bars 16, 24 and 72.
FE1 is not free from errors, e.g., the 
time signature instead of 
, f1 instead of a
1 in bar 11. An error can be also the 
raising a to a in bar 8.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Rés. F. 1580 |