b. 28
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composition: Op. 25 No 11, Etude in A minor
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 30
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composition: Op. 25 No 11, Etude in A minor
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Lack of the sign in GC (→GE1) may be a result of omission of this copy by Chopin at the time of completing the Stichvorlage manuscripts or of the copyist's oversight. In the main text we give the sign present in EE, although the version of FE is also probably authentic. In addition, we suggest an analogous solution to bar 12, in which the pedalling seems to be best developed. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: GE revisions , Inaccuracies in GC |
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b. 31
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composition: Op. 25 No 11, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 33-34
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composition: Op. 25 No 11, Etude in A minor
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There is no clear reason to doubt the authenticity of the diminuendo indication included in EE, although one cannot entirely exclude it being added by the reviser under the influence of analogy with bars 15-16. It seems to be much more likely that Chopin overlooked the discussed place, adding the performance indications in GC – bar 33 is the first on the new page of the manuscript, which could have distracted the composer. category imprint: Differences between sources |
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b. 33-34
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composition: Op. 25 No 11, Etude in A minor
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Only FE includes two slurs under the part of the L.H. – phrasing and tie sustaining D. In the main text we consider both of them, yet we shape the phrasing slur in such a way that it is clear which notes it concerns. category imprint: Differences between sources; Editorial revisions |