b. 24-26
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composition: Op. 25 No 11, Etude in A minor
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Quite a significant difference in the range of the diminuendo indication suggests that it was written by Chopin in GC and base text to EE independently. The earlier ending of the dashes determining the range of this indication in GE1 is probably a result of an inaccurate interpretation of GC and perhaps also difficulties with finding place for some of them. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 24-26
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composition: Op. 25 No 11, Etude in A minor
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The three times repeated '3' digit – over the 13th note of each of these bars – was added by Chopin in FED. category imprint: Differences between sources |
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b. 24
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composition: Op. 25 No 11, Etude in A minor
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The version of GC (→GE) is almost certainly erroneous – the copyist could have copied it only from one of the remaining Stichvorlage manuscripts, and it is absent both in FE and EE. category imprint: Differences between sources issues: Terzverschreibung error , Errors of GC |
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b. 25-26
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composition: Op. 25 No 11, Etude in A minor
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The missing slurs in the majority of the sources must be considered as Chopin's oversight. We suggest slurs used in analogous bars 7-8. An identical addition was introduced already in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 25
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composition: Op. 25 No 11, Etude in A minor
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In GC and FE there is no returning g1. This patent error was corrected in GE. EE also includes the correct text. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omissions to cancel alteration , GE revisions , Errors of GC |