Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Compositions
0
Op. 25 No 7, Etude in C♯ minor
Sources
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Another copy of #GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE2 - Second German edition
| Publisher: | Breitkopf & Härtel |
| Date: | ca 1855 |
| Title: | Douze Etudes || 7me Etude |
| Dedication: | Madame la Comtesse d'Agoult |
While performing a new typesetting of the Etudes, Op. 25, the Breitkopf & Härtel company introduced numerous changes into the note text:
-
notation of accidentals was conclusively ordered, by adding the last missing signs, e.g., a
before f
in the introduction, and by adding numerous cautionary signs, among others, in bars 3, 44 and 52 (only in the chromatic scale in bar 52 seven of them were added), as well as by removing unnecessary signs, e.g., the before c1 in bar 12; - range of dynamic hairpins were changed, often slightly, e.g., in bar 45;
- slurs were reinterpreted, e.g., in bars 1, 6-7, 9-10, 27 or 60-61;
- the erroneous note in bar 26 was corrected;
- in bar 45 the misintroduced fingering '1's were changed to wedges.
In GE2 particular Etudes were also published separately, provided with a collective cover, which itemised 12 etudes each by Chopin, Henselt and Thalberg.
| Original in: | The Fryderyk Chopin Institute Library, Warsaw |
| Shelf-mark: | 814/n |