Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 7, Etude in C♯ minor
Sources
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Another copy of #GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE3 - Revised impression of EE2
| Publisher: | Wessel & Co. |
| Date: | ca 1858 |
| Title: | Douze Etudes || No. 19 |
| Dedication: | Mme. la Comtesse d'Agoult |
EE3 returned the overlooked in EE2 dedication, placing it over the note text of the 1st page of the Etude in A
major, No. 1. In the note text, accidentals were completed, e.g., 
lowering c
1 to c1 in bar 39 and a number of additions was introduced, e.g., 
in bar 19, 
in bar 23, ten. in bar 43, and particularly the F1 grace note in bar 50, indicating the use of GE1 at the time of introducing the revision.
The copy presented in mUltimate Chopin comes from a later (ca. 1862) impression, endorsed by Wessel's successor, the Ashdown & Parry company. The changes in relation to the original impression of Wessel (whose copy the editors of mUltimate Chopin did not find) most probably concerned only the details of the cover – above all, the company's name was updated (cf. the cover of the first book of the Etudes).
| Original in: | Trinity College Library, Dublin |
| Shelf-mark: | Prout O.69 No. 2 |