Pitch
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b. 19
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composition: Op. 25 No 6, Etude in G♯ minor
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Both cautionary accidentals are an addition of the editors. The sharp before d category imprint: Differences between sources; Editorial revisions |
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b. 20
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composition: Op. 25 No 6, Etude in G♯ minor
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Same as previously, FE, EE1 and GE1 misinterpreted the abbreviated notation of FC and remaining Stichvorlage manuscripts, giving the 2nd, 3rd and 4th groups of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 26
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composition: Op. 25 No 6, Etude in G♯ minor
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Chopin did not introduce any accidental before the 3rd chord (which results from the compatibility of the version of FC and FE). Hence it is to be interpreted as g category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 26
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composition: Op. 25 No 6, Etude in G♯ minor
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The flat added in EE2 (→EE3) is undoubtedly an arbitrary revision. This version distorts the characteristic motif of repeated notes, appearing in each of the analogous phrases at least six times. category imprint: Differences between sources issues: EE revisions |
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b. 27
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composition: Op. 25 No 6, Etude in G♯ minor
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The patent error of GE1 could have been provoked by a slightly lower position of the head of this note in FC. category imprint: Differences between sources issues: Errors in GE , GE revisions |
2 is also in 
) in 
lowering g
1 at the beginning of the bar. In the same place, 
before the bottom note for 
