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b. 109-124
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty numerated bars, corresponding to bars 1-67. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 111-112
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the staccato dot over the 1st chord in bar 112, whereas GE2 (→GE3→GE4) overlooked the staccato indications in the entire progression of chords. A possible aim of the revision was to homogenise all appearances of this bar, however, it is difficult to state why it was bars 55-56 that were chosen as the model. Cf. bars 7-8, as well as 159-160. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 113
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composition: Op. 26 No 2, Polonaise in E♭ minor
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EE overlooked the staccato dot in the L.H. category imprint: Differences between sources issues: EE inaccuracies |
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b. 113
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composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 114
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 10, both versions are authentic. category imprint: Differences between sources issues: GE revisions |
2 & d