|
b. 124
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
|||||||
|
b. 125
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: GE revisions |
|||||||
|
b. 125-139
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty, numerated bars, corresponding to bars 1-67. category imprint: Source & stylistic information issues: Abbreviated notation of A |
|||||||
|
b. 129
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
Leaving the staccato dots in FE (→EE) is, according to us, a result of an inaccurately performed proofreading, whose aim was – same as in analogous bar 25 – to replace dots with accents. The dots were not included in GE, probably after comparison with bar 25. The absence of the accent in the R.H. is certainly an oversight of GE3 (→GE4). category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
|||||||
|
b. 131
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: Inaccuracies in FE |
