



b. 15
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||
b. 16-17
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In the main text we omit the cautionary flats, present in the sources, next to c category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals , FE revisions , Last key signature sign |
|||||
b. 16
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
We add a cautionary category imprint: Editorial revisions |
|||||
b. 17
|
composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||||
b. 17
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
A has a cautionary category imprint: Editorial revisions issues: Cautionary accidentals |