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b. 10

composition: Op. 26 No 2, Polonaise in E♭ minor

Slur in A & GE2 (→GE3GE4)

Longer slur in FE (→GE1,EE)

..

In FE (→EE,GE1) the slur embraces the entire R.H. part in this bar. In the editors' opinion a misunderstanding of A is more probable than a correction. Therefore, in the main text we adopt the A version with a slur embracing only the run (in all analogous bars – 58, 114 and 162 – the slur was rendered this way in all editions). The slur in the subsequent GE,s was assimilated to its remaining occurences.

category imprint: Differences between sources

issues: Inaccuracies in FE , GE revisions

b. 10

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE1 and GE3 (→GE4) overlooked  in bar 10.

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE

b. 11

composition: Op. 26 No 2, Polonaise in E♭ minor

Staccato dot in A

No mark in FE (→GE,EE)

..

On the basis of A, we give staccato dot on the first chord in the L.H. The mark over the chord was overlooked in all editions, most probably owing to the proximity of .

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 11

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE4 added a cautionary  next to a1 in the L.H.

category imprint: Editorial revisions

issues: GE revisions

b. 11-12

composition: Op. 26 No 2, Polonaise in E♭ minor

 in A (→FEGE1,EE)

  in GE2 (→GE3GE4)

..

In GE2 (→GE3GE4) the  indication was changed in the entire Polonaise to . See the characteristics of GE2.

category imprint: Differences between sources

issues: GE revisions