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b. 91-92
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we give the longer slur with which Chopin replaced staccato dots and shorter slurs of A in the proofreading of FE1. He introduced similar changes in almost all analogous places. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 92
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We add the pedalling in bar 92 – Chopin most probably forgot about the indications in the manuscript and overlooked this place while proofreading FE1. category imprint: Editorial revisions issues: Inaccuracies in A |
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b. 92-100
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The rhythmic value of a category imprint: Differences between sources |
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b. 92-93
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A one can see a correction consisting in combining phrases in these bars, analogous to the one which in bars 84-85 Chopin introduced only in the proofreading of FE. The b-a category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Corrections in A |
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b. 93-94
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Among the five staccato dots, written in A in the L.H. in the 2nd half of bar 93 and on the 1st quaver in bar 94, FE recreated only the first one, whereas GE1 - none. The signs were added in the remaining editions, adding a dot also on the 2nd quaver in bar 94. category imprint: Differences between sources issues: EE revisions , GE revisions |