Page: 
Source: 
p. 5, b. 69-88
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 84-85

4 notes in chord in A

6 notes in FE (→GE,EE)

In A one can see traces of changes in the way of combining bars 84-85 – initially bar 84 ended with a quaver and a rest, as in bar 76. Chopin then deleted the quaver flags and rests (in both hands) and extended the slur. The changes were introduced in the proofreading of FE1 – adding f and a and ties sustaining f and d1 to the chord at the beginning of bar 85 – is undoubtedly a continuation of the corrections described in A. We can observe similar corrections in A in bars 92-93.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A, Authentic corrections of FE

notation: Pitch

Missing markers on sources: EE1, EE2