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b. 50-51
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composition: Op. 10 No 6, Etude in E♭ minor
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The given in the main text fingering in the 2nd half of bar 50 was added by Chopin in a proofreading of FE. In this edition the 1st finger is repeated also over g category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE |
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b. 50-51
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composition: Op. 10 No 6, Etude in E♭ minor
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The tie sustaining B category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 51-52
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composition: Op. 10 No 6, Etude in E♭ minor
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The given in the main text fingering of bar 51 was added by Chopin in a proofreading of FE (→GE1→GE2). Apparently, the deletion of the '2' digit (in ink) visible in FE should be understood as the '1' digit and this is the interpretation we include in the main text as a variant suggestion. The copy includes other signs (in pencil), which are probably also '1's over the 7th and 12th semiquavers in bar 51 and the 1st one in bar 52. However, the signs could be interpreted in another way, e.g., as an indication of performance with the R.H., therefore, we do not include them in the main text. In EE2 the final fragment of the Etude was provided with additional fingering and indications for the division between the hands contrary to the one written by Chopin. In EE3 (→EE4) those indications were removed, and four digits were added in bar 51. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Inaccuracies in GE , Annotations in FES , Authentic corrections of FE |
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b. 51-53
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composition: Op. 10 No 6, Etude in E♭ minor
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Lack of the ties sustaining the bass minims in FE is probably a result of lack of space at the bottom of the page. The revisers of GE2 (→GE3→GE4→GE5) and EE4 guessed Chopin's intention accurately. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 51-52
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composition: Op. 10 No 6, Etude in E♭ minor
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In bar 51, the sources do not have a slur over a group of four L.H. semiquavers. In the editors' opinion it is Chopin's oversight. In bar 52, only A has the slur comprising 6 semiquavers, which is probably due to the carelessness of the engraver of FE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE |
at the beginning of bar 51, which seems to be an error (the digit was deleted in 
