b. 98
|
composition: Op. 39, Scherzo in C♯ minor
..
GC has no raising f sharp1 to f double sharp1. That obvious inaccuracy was corrected in GE. In EE, there is no raising a1 to a sharp1. category imprint: Source & stylistic information issues: Accidentals in different octaves , Errors in EE , Omission of current key accidentals , Errors of GC |
||||||||
b. 99-102
|
composition: Op. 39, Scherzo in C♯ minor
..
Missing accents in bars 101-102 in FE were probably omitted by oversight. EE has short accents here, just like almost everywhere else in that edition. GC (→GE) definitely have long accents. category imprint: Differences between sources issues: Long accents , FE revisions |
||||||||
b. 100
|
composition: Op. 39, Scherzo in C♯ minor
..
GC has the chord e2-g sharp2-a2-c sharp3 here. The error was corrected in GE. Gutmann made an identical mistake in bar 91. category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
||||||||
b. 100
|
composition: Op. 39, Scherzo in C♯ minor
..
The lower note of the last octave in the L.H. is written too low in GC, looking almost like F sharp. category imprint: Source & stylistic information issues: Inaccuracies in GC |
||||||||
b. 103
|
composition: Op. 39, Scherzo in C♯ minor
..
As the upper note of the L.H. FE erroneously has a1. category imprint: Differences between sources issues: Errors in FE |