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b. 98

composition: Op. 39, Scherzo in C♯ minor

..

GC has no  raising f sharp1 to f double sharp1. That obvious inaccuracy was corrected in GE. In EE, there is no  raising a1 to a sharp1

category imprint: Source & stylistic information

issues: Accidentals in different octaves , Errors in EE , Omission of current key accidentals , Errors of GC

b. 99-102

composition: Op. 39, Scherzo in C♯ minor

4 short accents in EE

4 long accents in GC (→GE)

2 accents in FE

..

Missing accents in bars 101-102 in FE were probably omitted by oversight. EE has short accents here, just like almost everywhere else in that edition. GC (→GE) definitely have long accents.

category imprint: Differences between sources

issues: Long accents , FE revisions

b. 100

composition: Op. 39, Scherzo in C♯ minor

..

GC has the chord e2-g sharp2-a2-c sharphere. The error was corrected in GE. Gutmann made an identical mistake in bar 91

category imprint: Source & stylistic information

issues: GE revisions , Errors of GC

b. 100

composition: Op. 39, Scherzo in C♯ minor

..

The lower note of the last octave in the L.H. is written too low in GC, looking almost like F sharp.

category imprint: Source & stylistic information

issues: Inaccuracies in GC

b. 103

composition: Op. 39, Scherzo in C♯ minor

..

As the upper note of the L.H. FE erroneously has a1.

category imprint: Differences between sources

issues: Errors in FE