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b. 51

composition: Op. 24 No. 4, Mazurka in B♭ minor

No markings in A (→GE1FEEE)

An accent and  in GE2 (→GE3)

..

In GE2 (→GE3), an accent was arbitrarily added under the 2nd crotchet of the left hand and   under the last chord.

category imprint: Differences between sources

issues: GE revisions

b. 51

composition: Op. 24 No. 4, Mazurka in B♭ minor

A dot in A (→GEFE)

No dot in EE

..

In EE, the staccato dot under F was omitted.

category imprint: Differences between sources

issues: Errors in EE

b. 52

composition: Op. 24 No. 4, Mazurka in B♭ minor

An accent in A and GE2 (→GE3)

No accent in GE1 (→FEEE)

..

In GE1 (→FEEE) the accent on the 3rd crotchet of the left hand was omitted. This is an obvious oversight.

category imprint: Differences between sources

issues: Errors in GE

b. 52

composition: Op. 24 No. 4, Mazurka in B♭ minor

Pedalling in A

Without pedalling in GE1 (→FEEE)

Pedalling in GE2 (→GE3)

..

In GE1 (→FEEE) there is no pedalling, which is obviously a mistake. The pedal marks were supplemented in GE2 (→GE3), with  moved to the end of the bar. 

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 52

composition: Op. 24 No. 4, Mazurka in B♭ minor

The supplemented slurs of A 

The slur in GE (→FEEE)

..

The tie from bar 51 lacks an ending in the 2nd volta in A. In GE (→FEEE) the tie for b flat1 in the 1st volta reaches that b flat1 in the 2nd volta. It is really astonishing that this nonsensical sign was not corrected in any of the first editions, even in the meticulously revised GE2 and GE3.

category imprint: Differences between sources

issues: Inaccurate slurs in A , Errors in GE