Verbal indications
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b. 66
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composition: Op. 24 No. 2, Mazurka in C major category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 70-72
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composition: Op. 24 No. 2, Mazurka in C major
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The change of piano to in EE had practically no impact on the sense of that indication; meanwhile, moving it in between the staves in GE2 (→GE3) may suggest that it applies to the L.H. as well, which is definitely not what Chopin intended. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 86-87
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composition: Op. 24 No. 2, Mazurka in C major
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The beginning of poco ritenuto in A falls more or less above the 3rd crotchet of bar 86. In GE (→FE→EE) that indication was placed earlier, at the beginning of the bar, which certainly does not agree with Chopin's intention. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 89
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composition: Op. 24 No. 2, Mazurka in C major
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A (→GE→FE→EE1) do not have any dynamic markings in that bar. In EE2 (→EE3) a was arbitrarily added, which is perhaps connected with the beginning of a new part on a new page (cf. revisions of that editor in the Nocturne in D flat major Op. 27 no. 2, bars 26 and 31). category imprint: Differences between sources issues: Errors in EE |
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b. 97
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composition: Op. 24 No. 2, Mazurka in C major
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EE3 has più added in bar 97, probably by analogy to bars 13 and 45. In our opinion, the absence of that indication cannot be considered Chopin's oversight in this particular case, especially that A has visible traces of removal of an element of notation there; therefore we do not include the addition of EE3 in our main text. category imprint: Differences between sources issues: Errors in EE |
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