Issues : GE revisions
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b. 8-12
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), small slurs were arbitrarily added in bars 8, 10 and 12 connecting grace notes with the crotchets that follow them. We omit those conventional signs from the main text. category imprint: Differences between sources issues: GE revisions |
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b. 10
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), the end of the slur was moved to the 2nd quaver d2, probably as a result of comparing that place with the notation of GE1 found in most analogous bars. Cf. the note concerning bar 6. category imprint: Differences between sources issues: GE revisions |
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b. 13
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composition: Op. 24 No. 2, Mazurka in C major
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In all the first editions the indication forte was replaced with the symbol category imprint: Differences between sources issues: GE revisions |
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b. 20
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), a staccato dot was added above the 2nd chord of the L.H. This is probably due to an erroneous interpretation of A, in which the hook at the end of the R.H. chord stem, resulting from hasty writing, could be interpreted as a dot above the L.H. chord. category imprint: Differences between sources issues: GE revisions |
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b. 21
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composition: Op. 24 No. 2, Mazurka in C major
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In the main text we place the pedal release asterisk under the 3rd crotchet, in accordance with the notation of A (→GE1→FE→EE). The reviewer of GE2 (→GE3) moved the category imprint: Interpretations within context; Differences between sources issues: GE revisions |
. Also, the accent in più is missing in 
in 