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b. 206
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE2. category imprint: Differences between sources issues: EE revisions |
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b. 207
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the 2nd half of the bar A does not include an accidental to the 2nd R.H. quaver, which results in a category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A |
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b. 208-210
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A both accidentals in the L.H. part in bar 208 are missing; the 4 naturals in the R.H. part are missing as well, to b1 in bar 208, b2 in bar 209, b3 and a3 in bar 210. All the necessary accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 208
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 209
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The earlier starting point of the category imprint: Differences between sources issues: Inaccuracies in GE |
. In the next two bars, in which the same figure is repeated an octave or two octaves higher, the respective notes are provided with naturals. Therefore, there is no doubt that in the discussed bar Chopin overlooked the 
. It was added in 
to the last L.H. quaver, f
, added in 
from b2 in 