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b. 195
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The A slur clearly starts from the 2nd quaver, as in analogous bar 10, 12, 193. On the other hand, the ending of the slur breaks off under c1, which is a patent inaccuracy. This explains the action of the engraver of GE (→FE,IE), who "corrected" both ends of the Chopinesque slurs. The later starting point of the slur in EE, accidentally compliant with the A notation, must have resulted from the engraver's inaccuracy or could even be a printing defect. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , EE inaccuracies |
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b. 196-197
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin omitted 4 necessary accidentals to the bottom notes (in the contra octave), as well as the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 196-197
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 197-198
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The A slur could easily be taken for an insignificant scrawl, which explains the oversight by the engraver of GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors in GE |
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b. 197
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we add a cautionary category imprint: Editorial revisions |
to the top note in the last octave in bar 197 (a
). All the accidentals were added in 
