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b. 265-269
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is not a single category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 265
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin did not restore the bass clef in this place, which renders the notation illogical until the end of the line in bar 270 (at the beginning of a new line, there is a bass clef). The mistake was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
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b. 265
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The category imprint: Differences between sources issues: Errors in GE |
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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there are no accidentals in the 2nd half of bar 266 and 268. They were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The missing cresc. at the end of bar 266 and 268 is almost certainly a revision by the engraver of GE, who made his work easier by omitting indications he considered pleonastic next to the category imprint: Differences between sources issues: GE revisions |
to the bottom note of the octaves (D
) in these bars (as well as in the next ones, until bar 274). The patent inaccuracy was corrected in 
in 
in 
hairpin.