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b. 76-79
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 76-79
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 77-79
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A Chopin omitted a few necessary accidentals – the naturals to the top notes of the L.H. crotchet chords in bar 77 and 79 (a2) and the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in A |
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b. 77-79
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing staccato marks at the beginning of bar 77 and 79 are most probably due to an oversight by the engraver of GE. It is particularly likely in bar 77, in which the dot in A is close to the line marking the range of the octave sign, composed of dashes and dots. However, it can be seen that the mark is not entered in a place in which an octave sign dot could have been situated. category imprint: Differences between sources issues: Errors in GE |
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b. 78-79
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the accents in these bars are shorter than in the previous ones. According to us, it is an accidental effect, related to the fact that bar 78 opens a new page in A. GE (→IE) interpreted this version of the marks correctly, as long accents (in FE and EE they were reproduced as short accents). category imprint: Graphic ambiguousness issues: Long accents , Inaccuracies in FE , EE inaccuracies , Inaccuracies in A |
3 added to these bars by 
to the last quaver in bar 77 (c
4) and the naturals to the first and last quaver in bar 79 (a3 and e4). In 
to a2 in bar 79); the fully correct text is only in 
