b. 85-93
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the A1-A octaves in bar 85, 89 and 93 are provided with only one each, before the top notes. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
|||||
b. 86-87
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The slur in A – a "pointing" one – clearly reaches the b minim, which was not reproduced in GE (→FE,EE,IE). category imprint: Differences between sources issues: Inaccuracies in GE , Pointing slurs |
|||||
b. 87
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
According to us, the short stem of the g minim does not reach the b minim, written above it, on purpose, as it is provided with a separate stem. This means that Chopin saw them as parts of two different voices. This subtlety was not reproduced in the editions. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in A |
|||||
b. 87
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The interpretation of the mark as an accent – possible in a different harmonic and, particularly, structural context – is almost certainly wrong here, at the end of a four-bar section. Therefore, in the main text we reproduce the mark as a diminuendo hairpin. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Scope of dynamic hairpins |
|||||
b. 91
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the g note is a semibreve, which is a patent mistake, perhaps under the influence of the notation in the previous bar. The correct rhythmic value intended by Chopin (minim) was introduced already by GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |