



b. 264
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composition: Op. 49, Fantaisie in F minor
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In the last two R.H. quavers one can see deleted e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 264
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composition: Op. 49, Fantaisie in F minor
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The cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 264-265
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composition: Op. 49, Fantaisie in F minor
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The shorter category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
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b. 265
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composition: Op. 49, Fantaisie in F minor
..
In A there are visible traces of corrections to the R.H. triplet. Chopin initially wrote it half a tone lower, as in three analogous bar 94, 98 and 261. A side effect of the correction could have been an oversight of the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , Deletions in A , Main-line changes |
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b. 265
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composition: Op. 49, Fantaisie in F minor category imprint: Differences between sources issues: Errors in GE , GE revisions |