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b. 261-262
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composition: Op. 49, Fantaisie in F minor
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As in bars 94-95, the difference in the slur's range probably results from the inaccurate interpretation of the 'encompassing' A slur, yet this time the excessively long slur appears in FE (→EE). In the main text we provide the A slur, compliant with the phrase structure, correctly interpreted in GE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Embracing slurs |
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b. 261
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composition: Op. 49, Fantaisie in F minor
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The additional slur in FE (→EE) is part of an irregular group marking. Chopin would generally insert such slurs along with a digit determining the number of notes in such a group (e.g. in a similar context in bar 98 in A); however, he would often omit them or included in longer phrase marks. In this case the slur must have been added to [FC] or FE1, yet it seems highly unlikely that it could have been done by Chopin. category imprint: Differences between sources issues: Triplet slurs |
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b. 262-266
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composition: Op. 49, Fantaisie in F minor
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In the main text we suggest adding a staccato dot in bar 262, as this is the only one among the four crotchets in analogous bars (bar 95, 99 and 266) that Chopin did not provide with a dot in A. In FE (→EE) dots are absent in all the above bars. category imprint: Differences between sources; Editorial revisions |
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b. 262-263
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composition: Op. 49, Fantaisie in F minor
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The FE slurs may be authentic, although the random nature of this variant rules out a serious change of concept. Chopin could have added these two four-quaver slurs in a place in which the copyist or the engraver overlooked the actual shorter slurs. They indicate rather musical articulation (motifs) than a pianistic gesture, as the L.H. slurs written in A in bars 95-96 and 99-100. category imprint: Differences between sources |
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b. 263
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composition: Op. 49, Fantaisie in F minor
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In FE1 the 1st quaver in the 2nd half of the bar is a d category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
. The mistake was corrected – perhaps at Chopin's request – in