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b. 270
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composition: Op. 49, Fantaisie in F minor
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In A and FE there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 271
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composition: Op. 49, Fantaisie in F minor
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A cautionary flat to e category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 271
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composition: Op. 49, Fantaisie in F minor
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In A Chopin initially wrote an e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 274
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composition: Op. 49, Fantaisie in F minor
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In the 2nd half of the bar Chopin overlooked in A the naturals raising a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 275-276
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composition: Op. 49, Fantaisie in F minor
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The longer FE slur (→EE) could be the initial version, which seems to be evidenced by a deletion that can be seen in A in the place where the slur's ending at the beginning of bar 276 should be expected. It is not entirely certain whether it was a slur that was deleted, while the slur at the end of bar 275 in A does not suggest that it should be continued. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |
raising d
1 to d1 in the 2nd quaver in the bar. The patent inaccuracy was corrected in 
to b
