Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor




Op. 49, Fantaisie in F minor
In A there are visible traces of corrections to the R.H. triplet. Chopin initially wrote it half a tone lower, as in three analogous bar 94, 98 and 261. A side effect of the correction could have been an oversight of the restoring g2 in the 2nd half of the bar – in the initial version of this triplet the accidental was not necessary (see note next to this minim).
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Errors resulting from corrections, Deletions in A, Main-line changes
notation: Pitch