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b. 120
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composition: Op. 49, Fantaisie in F minor
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The absence of 4 d2 notes in the chords in the 2nd half of the bar in FE1 must be a mistake, corrected in FE2 (→EE). category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 120-123
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composition: Op. 49, Fantaisie in F minor
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As in bar 109 and analog., the category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Scope of dynamic hairpins , Corrections in A |
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b. 121
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composition: Op. 49, Fantaisie in F minor
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In the 1st chord FE1 overlooked the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 121-122
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composition: Op. 49, Fantaisie in F minor
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The missing slur in EE1 must be an oversight, corrected in EE2 after comparing it with GE1 (the e1 crotchet was also added at the beginning of bar 122, removed in FE – see the next note). category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 122
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composition: Op. 49, Fantaisie in F minor
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The FE (→EE1) version resulted from Chopin's correction – the traces of removal of e1 are visible in FE (among the copies presented in our system, most clearly in FE2). In EE2 the note was restored, most probably after comparing it with GE1. In Chopin's pieces there are many examples of chords in the middle or high register with both tripled and quadrupled bass. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |