Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 120

composition: Op. 49, Fantaisie in F minor

Chords with d2 in A (→GE) & FE2 (→EE)

Chords without d2 in FE1

..

The absence of 4 d2 notes in the chords in the 2nd half of the bar in FE1 must be a mistake, corrected in FE2 (→EE).

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 120-123

composition: Op. 49, Fantaisie in F minor

of different size in A, probable reading

in b. 120 & 122 in GE

No signs in FE (→EE1)

in b. 120 in EE2

 to b. 121 & 123 in A, contextual interpretation

..

As in bar 109 and analog., the  hairpins in bars 120-121 and 122-123 were almost certainly added to A as part of corrections and additions after [FC] had been finished, which explains their absence in FE (→EE1). However, their range in A is questionable – it is uncertain whether they end before or after the bar line. We provide marks of varied length as the A version, whereas in the main text we lead both marks to the next bar, in accordance with the unanimous A version in analogous bars 287-290. In EE2 the mark in bar 120 was added after comparing it with GE1.

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: EE revisions , Scope of dynamic hairpins , Corrections in A

b. 121

composition: Op. 49, Fantaisie in F minor

..

In the 1st chord FE1 overlooked the  raising d2 to d2. The patent mistake was rectified in FE2. See also bar 123.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 121-122

composition: Op. 49, Fantaisie in F minor

Slur in A (→GE), FE & EE2

No slur in EE1

..

The missing slur in EE1 must be an oversight, corrected in EE2 after comparing it with GE1 (the e1 crotchet was also added at the beginning of bar 122, removed in FE – see the next note).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 122

composition: Op. 49, Fantaisie in F minor

e-e1 in A (→GE) & EE2

e in FE (→EE1)

..

The FE (→EE1) version resulted from Chopin's correction – the traces of removal of e1 are visible in FE (among the copies presented in our system, most clearly in FE2). In EE2 the note was restored, most probably after comparing it with GE1. In Chopin's pieces there are many examples of chords in the middle or high register with both tripled and quadrupled bass.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE