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b. 117-118
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composition: Op. 49, Fantaisie in F minor
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The second accent in each of these bars visible in A (→GE) was probably added by Chopin to A after [FC] had been finished. The shorter accents in EE are an inaccuracy resulting from the fact that the EE editors were unaware of the existence of long accents as a separate category of accents. category imprint: Differences between sources issues: Long accents , EE inaccuracies |
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b. 117
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composition: Op. 49, Fantaisie in F minor
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The dotted e category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 119-121
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composition: Op. 49, Fantaisie in F minor
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In the main text we omit the naturals that were unnecessarily repeated in A (→GE) and FE in the chords in the 2nd half of bar 119 (to B) and 121 (to B, b and d2). The aforementioned accidentals in bar 121 were also omitted in EE1, but EE2 restored the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Cautionary accidentals |
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b. 119
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composition: Op. 49, Fantaisie in F minor
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The f1 note present in FE1 as the bottom note of the R.H. chord must be a mistake, corrected – perhaps by Chopin – in FE2 (→EE). category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 119-120
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composition: Op. 49, Fantaisie in F minor category imprint: Differences between sources issues: Errors in FE |
1 in chord in 
to d2.
