mUltimate Chopin

Page:

Source:

p. 7, b. 106-126

p. 1, b. 1-20

p. 2, b. 21-42

p. 3, b. 43-60

p. 4, b. 61-75

p. 5, b. 76-90

p. 6, b. 91-105

p. 7, b. 106-126

p. 8, b. 127-147

p. 9, b. 148-163

p. 10, b. 164-178

p. 11, b. 179-198

p. 12, b. 199-224

p. 13, b. 225-240

p. 14, b. 241-255

p. 15, b. 256-271

p. 16, b. 272-293

p. 17, b. 294-315

p. 18, b. 316-332

Main text

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Select notes:

mark annotations

Category

Notation

Differences

No differences

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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b. 123

In the 2nd chord in FE1 the raising d² to d² was overlooked. The patent mistake was rectified in FE2. It is also likely that the mistake was committed by Chopin in A, which, through [FC], found its way to FE1, while in the case of the very A a was added after the copy had been finished. The same could apply to the missing in bar 121 in FE1.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, FE revisions

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2

Complete ➔

Op. 49, Fantaisie in F minor