Issues : Accidentals in different octaves
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b. 7
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composition: Op. 25 No 2, Etude in F minor
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AT, AW and CDP do not have here the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Errors of A , Errors of CDP |
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b. 7-15
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composition: Op. 63 No. 1, Mazurka in B major
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In bars 7 and 15 the sources do not contain sharps over the mordents. There are no doubts as to the sound of the top note, while the notation is inaccurate, as usual in such situations in Chopin's works (in bar 7 it concerns only AI and GE3 due to the misplaced category imprint: Interpretations within context issues: Errors in FE , Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 8
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 8
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composition: Op. 28 No. 18, Prelude in F minor
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In A (→FE), Chopin wrote only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 9
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composition: Op. 28 No. 3, Prelude in G major
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In A (→FE1) there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
before the 5th (e2) quaver. In 
mark in the remaining sources). In the versions 'edited text' and in the main text we add the absent accidentals.
restoring e
2 (in the R.H. part). The corresponding sign in the L.H. part was added in 
raising c1 to c
1 at the beginning of the 2nd group of semiquavers. That patent oversight of Chopin was corrected by Fontana in