Page: 
Source: 
p. 2, b. 5-13
p. 1, b. 1-4
p. 2, b. 5-13
p. 3, b. 14-22
p. 4, b. 23-34
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 8

In A before the 2nd demisemiquaver in the 3rd group, one can see a crossing-out, most probably of a  lowering it to c3. It would confirm that Chopin was convinced that accidentals before the 2nd and 8th demisemiquavers in each group are not necessary, since their pitch is determined by the preceding note, placed an octave lower. Similarly in the Prelude in E no. 19, bar 13 and 39.

See b. 1-4

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Errors resulting from corrections, Deletions in A

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a