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b. 566
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio signs are most probably a mistake of the engraver of FE, who could have confused the bar with one of the previous ones, similar b. 562 or 564. category imprint: Differences between sources issues: Errors in FE |
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b. 567
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composition: Op. 39, Scherzo in C♯ minor
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A comma-like mark in GC, which here should be read as a wedge, was not - maybe by chance - included in GE. Neither EE nor FE have any mark in this place. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 567
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composition: Op. 39, Scherzo in C♯ minor
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The category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 567
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composition: Op. 11, Concerto in E minor, Mvt I
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The entry of FEH defines a different arrangement of fingers with repetitions of the initial figure than the one indicated by Chopin at the beginning of the bar. In accordance with what was said in the previous note, this arrangement seems to be more natural. In EE, Fontana gives only the fingering of the ending of the bar. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 567
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the first of the Chopinesque fingering digits given in FE (→GE,EE) may be erroneous. In such passages, different sounds are generally played with different fingers, which together create a specific arrangement for a given passage, repeated in the next octaves (cf. bar 569). Therefore, it is generally enough to give fingering of the first figure as Chopin did, e.g. in the Etude in C Major, Op. 10 No. 1. Performing both g and a with the 3rd finger breaches this rule and impedes performance, not offering anything in exchange. However, if we perform g with the 2nd finger, which was just on the adjacent black key (f category imprint: Interpretations within context; Editorial revisions issues: Errors in FE |
in 
), the 3rd finger may remain on a, which it played in the previous bar. Therefore, taking into account a possibility of a mistake, we give an alternative suggestion with the use of the 2nd finger.