|
b. 378
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FEH, the tied g1 quaver is slashed. It is most probably an additional signal reminding that the note should not be played. category imprint: Source & stylistic information |
||||||
|
b. 378
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in EE , GE revisions , Inaccuracies in A |
||||||
|
b. 378
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In EE2 an arpeggio was added before this chord, which seems to be a mistake. category imprint: Differences between sources issues: EE revisions |
||||||
|
b. 379
|
composition: Op. 39, Scherzo in C♯ minor category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
||||||
|
b. 379-380
|
composition: Op. 21, Concerto in F minor, Mvt III
..
It is difficult to assume that the slurs in the L.H. appearing in GE1 (→FE) could have been added in this form by Chopin – they are contrary to the authentic slur in the R.H., whereas their range overlaps with the beams of the group of quavers. Therefore, it is most probably a revision, which also questions the authenticity of the slurs added in GE1 in the previous two bars. The revisers of EE and GE2 replaced them with a two-bar slur modelled after the slur of the R.H.; it specifies the notation, yet it does not follow from the notation of A. category imprint: Differences between sources issues: EE revisions , GE revisions |
to the top note of the 1st R.H. chord (f
2) is missing. The accidental was added in 
