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b. 374

composition: (Op. 4), Sonata in C minor, Mvt IV

No sign in sources

Arpeggio sign suggested by the editors

..

As was the case with the preceding chord, Chopin's oversight seems much more likely than an intentional omission of the arpeggio. 

category imprint: Editorial revisions

b. 374

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In EE1 the  raising b to b was overlooked. The manifest error was left uncorrected in EE2.

category imprint: Interpretations within context; Differences between sources

issues: Errors in EE , Errors repeated in EE

b. 375-398

composition: Op. 39, Scherzo in C♯ minor

..

In GC bars 375-432 are notated in an abbreviated form. Instead of notes there are digits written out corresponding to numbered bars 33-90. In b. 375, as an example, G1-G and   g-g1. This notation must have been taken from [A1].

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 375

composition: Op. 39, Scherzo in C♯ minor

ten. in EE & GC (→GE)

No indication in FE

..

Lack of the ten. marking in FE may result from misinterpretation of the beginning of an abbreviated notation in [A2] (it is most probable that Chopin used the same abbreviation as in [A1]). In a corresponding b. 33 the marking is found FE.

category imprint: Differences between sources

issues: Errors in FE

b. 375

composition: Op. 39, Scherzo in C♯ minor

Short accent in EE

Long accent in GC & FE

 in GE

..

We believe that both the short accent in EE and hairoin in GE result from misunderstanding of the base text notation. In the main text we present a long accent based on GC and FE.

category imprint: Differences between sources

issues: Long accents