b. 573
|
composition: Op. 39, Scherzo in C♯ minor
..
Indication to return to initial tempo was recreated differently in the sources. In GC there is tempo primo, and editions - different forms of conventional markings used in similar situations. We adopt similar solutions for the main text. category imprint: Source & stylistic information |
|||||
b. 573-578
|
composition: Op. 39, Scherzo in C♯ minor
..
The EE version - without slurs - most probably recreates the original notation of the LH motifs in bars 573-574 and 577-578. In the main text we present the consistent slurring of GC (→GE) and FE; similarly to bars 606-610. category imprint: Differences between sources |
|||||
b. 573-584
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC the bars are marked with consecutive letters from a to m. The letters are then used to mark bars 605-616 in short. category imprint: Differences between sources issues: Abbreviated notation of A |
|||||
b. 573
|
composition: Op. 11, Concerto in E minor, Mvt I category imprint: Editorial revisions |
|||||
b. 573-599
|
composition: Op. 11, Concerto in E minor, Mvt I category imprint: |