Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
The only long accent in this fragment correctly reproduced in GE1 (→FE) was changed to a short one in EE and GE2. The very idea of unifying the notation of accents in all analogous bars is accurate – all signs in A are the same – yet the accents in A are clearly long, which the reviser of EE could not know, whereas the reviser of GE2 did not consider it to be significant.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, GE revisions
notation: Articulation, Accents, Hairpins
