mUltimate Chopin

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b. 347

composition: Op. 2, Variations, complete

Short accents in A (→GE→FE,FESB)

Vertical accents in EE
..

As in bar 343, the type of accents was arbitrarily changed by the engraver of EE.

category imprint: Differences between sources

issues: EE revisions

b. 347-348

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there are no accidentals defining f, b1, e in bar 347 and a1 in bar 348. In GE (→EE,IE) only the marks in bar 347 were added, while the correct text is present only in FE.
In IE the  to the 1st crotchet in bar 347 (e1) was overlooked.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE , Errors in IE

b. 347-348

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 347

composition: (Op. 4), Sonata in C minor, Mvt IV

 in A (→GE→FE,IE) & EE2

No sign in EE1
..

The  hairpin overlooked in EE1 was added in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 348

composition: Op. 39, Scherzo in C♯ minor

No marking in EE

 in GC (→GE) & FE
..

Lack of  in EE is either an omission or echoes one of the earlier stages of the Scherzo notation.

category imprint: Differences between sources

issues: Errors in EE