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b. 332

composition: Op. 21, Concerto in F minor, Mvt III

Slur in A & GE2

No slur in GE1 (→FE→EE)
..

The missing slur in GE1 (→FE→EE) must be an oversight of the engraver, corrected in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 332-335

composition: Op. 11, Concerto in E minor, Mvt III

c​​​​​​​1 tied in FE (→EE)

c​​​​​​​1 repeated in GE
..

The ties of c​​​​​​​1 in bars 332-333 and 334-335 were most probably added by Chopin in the last phase of proofreading of FE (→EE). In bar 335, it is the sustained c​​​​​​​1 that was crossed out in FEH, which is most probably just a

category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in FEH

b. 332

composition: Op. 31, Scherzo in B♭ minor

Inverted long accent in A

Long accent in FC

in FE (→EE)

Short accent in GE
..

In the main text we give a long accent with which Chopin replaced in FC the original reversed accent, inaccurately reproduced as a  hairpin both in FC and FE (→EE). The short accent in GE is a typical inaccuracy related to Chopinesque long accents, which do not belong to the canon of generally applied indications.

category imprint: Differences between sources; Corrections & alterations

issues: Long accents , Authentic corrections of FC

b. 332

composition: Op. 31, Scherzo in B♭ minor

..

Chopin deleted in A the  mark filling the middle part of the bar.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A

b. 332

composition: Op. 49, Fantaisie in F minor

No sign in A (→GE)

in FE (→EE)
..

Not being certain whether the  mark added by FE (→EE) is authentic or not, we do not include it in the main text. Lonely  marks at the end of pieces are quite frequent in Chopin's works (cf. the Prelude in A, Op. 28 No. 7, bar 16).

category imprint: Differences between sources

issues: FE revisions , No pedal release mark