|
b. 498-499
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
|||||||||||
|
b. 498
|
composition: Op. 11, Concerto in E minor, Mvt I
..
According to us, the b1 note in the chord of FE (→EE1) is erroneous:
The mistake was corrected – probably on the basis of the above comparisons – in GE and consequently also in EE2 (→EE3). category imprint: Differences between sources issues: GE revisions |
|||||||||||
|
b. 498
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The chord with e2 is the original version – Chopin removed that note in the last stage of proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
|||||||||||
|
b. 498-499
|
composition: Op. 31, Scherzo in B♭ minor
..
In A there are visible crossings-out on the 3rd beat of these bars. In both places it was probably the original version of those crotchets, i.e. the d-g fourth. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
|||||||||||
|
b. 499
|
composition: Op. 11, Concerto in E minor, Mvt I
..
It is noteworthy that it was in this bar only that Chopin included in the piano reduction the harmonic background of strings, accompanying these motifs in all four places in the orchestral part (bars 14-15, 18-19, 499-500 and 503-504). category imprint: Source & stylistic information |
in the last triplet) features the 4th finger, much less convenient than the first one indicated in 
1 in chord in 
