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Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-48
p. 4, b. 49-70
p. 5, b. 71-88
p. 6, b. 89-101
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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  b. 13-14

No teaching fingering provided

Fingering in FEJ & FES

Fingering in FED

Both versions of teaching fingering

The teaching copies contain two undoubtedly different fingerings for this fragment. One is taken from #WfJ and #WfS, the other is a combination of Chopin's annotations in #WfD in this bar and in bar 16 when this figuration is repeated. In the main text we juxtapose these partly alternative fingerings. Cf. fingering in Sonata in B minor Op. 35, 3rd mvt., bar 31.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Differences in fingering, Annotations in FES, Annotations in FEJ

notation: Fingering