b. 640-641
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 189, of which the discussed bar is an exact repetition, in the main text we add , most probably overlooked by inadvertence. The mark was also added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 640-641
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: GE revisions |
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b. 641-644
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composition: Op. 11, Concerto in E minor, Mvt I
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The visibly incomplete slurring of GE1 (→GE2) probably reflects one of the original versions of the slurs in FE, changed then in the last phase of proofreading. The slur added in GE3 constitutes a natural addition, in particular in the face of the authentic slurring of six previous bars. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE |
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b. 641-644
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are no accents. In GE1 (→GE2 as well as in EE2 and EE3), a mark was added in bar 641, while in GE3 also in the next three. In the main text, we deem the additions in GE3 to be legitimate. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 641-644
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composition: Op. 11, Concerto in E minor, Mvt I
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Like in previous bars, GE3 arbitrarily changed the rhythmic notation of the 1st beat of bar. category imprint: Differences between sources issues: GE revisions |