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b. 640-641

composition: Op. 31, Scherzo in B♭ minor

No marking in A (→FCGE1, →FEEE)

in GE2 (→GE3)

..

Just like in b. 189, of which the discussed bar is an exact repetition, in the main text we add , most probably overlooked by inadvertence. The mark was also added in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 640-641

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FCGE1, →FEEE)

 in GE2 (→GE3)

..

Similarly to b. 189-190, GE2 (→GE3) arbitrarily added a  modelled after b. 57-58.

category imprint: Differences between sources

issues: GE revisions

b. 641-644

composition: Op. 11, Concerto in E minor, Mvt I

Four-bar slur in FE (→EE)

Slur in bars 643-644 in GE1 (→GE2)

Two-bar slurs in GE3

..

The visibly incomplete slurring of GE1 (→GE2) probably reflects one of the original versions of the slurs in FE, changed then in the last phase of proofreading. The slur added in GE3 constitutes a natural addition, in particular in the face of the authentic slurring of six previous bars.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE

b. 641-644

composition: Op. 11, Concerto in E minor, Mvt I

No marks in FE (→EE1)

Accent in bar 641 in GE1 (→GE2) & EE2 (→EE3)

4 accents in GE3

..

In FE (→EE1), there are no accents. In GE1 (→GE2 as well as in EE2 and EE3), a mark was added in bar 641, while in GE3 also in the next three. In the main text, we deem the additions in GE3 to be legitimate. 

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 641-644

composition: Op. 11, Concerto in E minor, Mvt I

Crotchets in FE (→EE)

Quavers & rests ni GE3

..

Like in previous bars, GE3 arbitrarily changed the rhythmic notation of the 1st beat of bar.

category imprint: Differences between sources

issues: GE revisions