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b. 637
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 637-639
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composition: Op. 31, Scherzo in B♭ minor
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In both manuscripts, these bars are a literal repetition of b. 186-188 (they are not written out in full), and like there, staccato dots in b. 637 and 639 are reproduced only in GE1 and GE3. We do not include them into the main text in view of their possible deletion during the proofreading of FE (→EE). category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 638-640
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing accents is almost certainly an oversight of the engraver of FE (→EE1) – bar 638 opens a new line of text, which would often cause distraction and defects of various kind. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 639
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composition: Op. 11, Concerto in E minor, Mvt I
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The b2 note, featured in GE as the 4th quaver of the bottom voice, is either the original version or, which is much more likely considering analogous bar 623 and 627, a Terzverschreibung error. The traces of proofreading visible in FE prove that the version was initially present also in this edition, but it was changed in the last phase of proofreading. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE |
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b. 639
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
