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b. 321-322

composition: Op. 2, Variations, complete

..

In the main text we add cautionary naturals to the L.H. bottom voice quavers, cg and d1

category imprint: Editorial revisions

b. 321

composition: Op. 2, Variations, complete

..

In the main text we omit the  (cautionary?), which in all sources except AsI was unnecessarily repeated to e, the last quaver in the L.H. bottom voice.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 321-324

composition: Op. 2, Variations, complete

Shorter slurs in AsI

Longer slurs in A

Longer slurs in GE (→FE,EE)

..

The slurs of AsI, entered only into these bars (to the end of the page of this manuscript), reveal the initial concept of slurring, showing the quasi-two-part structure of the figurations rather than the actual phrasing.

category imprint: Differences between sources; Corrections & alterations

b. 321

composition: Op. 49, Fantaisie in F minor

cresc. - - smorz. - - in A

No indications in FE (→EE1)

cresc. smorz. - in GE

cresc. smorz. in EE2

..

In the main text we provide the indications added by Chopin to A after [FC] had been finished. They were repeated in GE, and on the basis thereof in EE2, yet in both cases it was performed inaccurately. None of these versions can be authentic.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE

b. 321

composition: Op. 49, Fantaisie in F minor

No sign in A (→GE)

Arpeggio sign in FE (→EE)

Our variant suggestion

..

The arpeggio was probably added by Chopin to [FC] or while proofreading FE (→EE). In the main text we include it in a variant form. See also bar 322.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Authentic corrections of FE